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Type: Chest of drawers
Style: Louis XV-style (provincial revival)
Date: Circa 1890–1920
Origin: Not established
Material: Oak frame and drawer linings; cast brass hardware; quartzite top (replacement)
Finish: Applied in restoration (shellac)
Construction: Solid paneled oak case; six serpentine drawers; hand-cut dovetails
Maker / Attribution: Unattributed (penciled name and partial paper label, not identified)
Condition: Restored; old patched repairs to drawer linings, renewed finish, replacement stone top
Dimensions: 21 W × 14 D × 41½ H in.
Upholstery: None
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Original: The oak case, the six drawers, and the cast brass pulls appear original, with no evidence of replacement at the carved fronts, hardware, or paneled sides.
Replaced: The stone top is a replacement. The original stone was missing when the chest was acquired, and a quartzite top was cut to the shape of the case in the recent restoration; it follows the curve of the case.
Repaired: The oak drawer linings carry old patched repairs, with small inset pieces let into the sides and bottoms where the timber was made good. These sit out of sight when the drawers are closed.
Finish Work: The shellac finish was stripped and renewed by hand; the present surface is applied, not the original.
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Each of the six drawers is numbered in Roman numerals, the cabinetmaker's method for returning every drawer to its own opening; the numbers run in the thirties, a workshop's batch sequence. On the upper surface of the case, beneath the present top, a penciled name survives beside a partial printed paper label carrying the abbreviation "N°" and a large initial. The penciled name has not been identified. These are the working marks of a piece built and numbered by hand, left where they were not meant to be seen.
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The maker is unattributed. The surviving paper label is French, which bears on origin, but a label of this kind records a name or a number rather than a confirmed place of manufacture. The Louis XV provincial carving and the oak construction belong to a tradition worked both in France and in the Liège region of francophone Belgium, and the label's French language is consistent with either, so the manufacture origin of this example is not established. The hand joinery and the numbered drawers point to traditional cabinetmaking of the late 19th to early 20th century, which places the piece in the antique range.
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The chest is oak throughout. The carcass, the paneled back, and the drawer linings show the quarter-sawn ray fleck that identifies oak, clearest on the back rails and the drawer sides; the carved fronts are the same timber, finished in a warmer tone. The drawers are joined with hand-cut dovetails, uneven in spacing and depth from drawer to drawer, individually fitted rather than machine-made. The front carries six serpentine, shaped drawer faces with oval foliate medallions; the canted corners are carved with rosettes above shell-and-husk drops; the apron has a lattice diaper centered on a shell; and the front cabriole legs are carved with shells at the knee and end in scrolled feet, while the rear stiles run straight to the floor. The hardware is cast brass in a rococo cartouche pattern, and the top is Alexandrita quartzite, softly banded, with a scalloped edge that follows the curve of the case.
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A Working Case, Renewed
The tall, narrow chest of many small drawers was a bedroom and dressing-room form, made to hold linens, garments, and small personal effects upright against a wall where floor space was short. This example carries the wear and warm color of long domestic use; a recent restoration renewed its finish and, the original stone having been lost before the chest was acquired, fitted a quartzite top cut to the case so it could be used again. Its maker is unrecorded and the penciled name on the case is unread; the owners between its making and now, and the road it traveled, are not documented. The record ends where the evidence ends.
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Suited to a bedroom, dressing room, or hall where a tall, shallow footprint is wanted. At 21 inches wide and 14 inches deep it holds to a wall or sits beside a bed without crowding the floor, and the height carries the storage upward rather than outward. The top gives a finished surface for a lamp, a tray, or a mirror.
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Is this antique or vintage? It is an antique Louis XV-style chest of drawers. We date it circa 1890 to 1920, which is more than a century old and so antique. With no dated mark on the piece, the call rests on the hand construction and the Louis XV provincial style, an informed inference that an in-hand look at the construction could refine.
What wood is it? Oak. The carcass, the back, and the drawer linings show the quarter-sawn ray fleck that identifies it, and the carved fronts are the same timber finished in a warmer tone, which is why they can read as walnut at a glance. The bare oak is plain on the inside and the back of the case.
Has it been restored? Yes. The shellac finish was stripped and renewed by hand, so the present surface is applied rather than original; the oak drawer linings carry old patched repairs where the wood was made good; and the original stone, missing when the chest was acquired, was replaced with a fitted quartzite top. The carved fronts, pulls, and sides appear original.
Is the stone top original? No. The original stone was missing when the chest was acquired, so an Alexandrita quartzite top was cut to the shape of the case in the recent restoration. It is softly banded, in pale green, cream, and soft peach, with a few small natural mineral inclusions. The veining and the inclusions are part of the stone, not damage or staining.